{"id":26256,"date":"2020-03-14T20:52:47","date_gmt":"2020-03-14T19:52:47","guid":{"rendered":"https:\/\/urquiza.com\/index.php\/chiche-nunez\/"},"modified":"2020-04-01T15:39:42","modified_gmt":"2020-04-01T13:39:42","slug":"chiche-nunez-2","status":"publish","type":"page","link":"https:\/\/urquiza.com\/index.php\/chiche-nunez-2\/?lang=en","title":{"rendered":"Chiche N\u00fa\u00f1ez"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1484177762623&#8220;][vc_column][vc_empty_space height=&#8220;3em&#8220;][vc_column_text]<\/p>\n<h1 style=\"text-align: center; font-size: 25px; letter-spacing: 0.05em;\"><span style=\"color: #873003;\">Chiche N\u00fa\u00f1ez<\/span><\/h1>\n<p>[\/vc_column_text][vc_empty_space height=&#8220;3em&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1484178551766{background-color: #f2f2f2 !important;}&#8220;][vc_column width=&#8220;1\/2&#8243;][vc_column_text css=&#8220;.vc_custom_1584215951406{padding-top: 40px !important;padding-right: 20px !important;padding-bottom: 40px !important;padding-left: 20px !important;}&#8220;]<\/p>\n<div class=\"q_team_text \">\n<div class=\"q_team_text_inner\">\n<div class=\"q_team_title_holder\">\n<h2 class=\"q_team_position\"><span style=\"color: #000000;\">Artistic director &amp; CEO<\/span><\/h2>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"q_team_description\">\n<p style=\"text-align: justify; font-size: 1.5em; line-height: 1.5em;\"><span style=\"color: #000000;\">The Argentine dancer has lived in Berlin since 1998 and works here as a dance teacher and choreographer for the Tango Argentino. As a student of the famous Jos\u00e9 Brahemcha, called &#8222;el Turco Jos\u00e9&#8220;, his dance is characterized by the subtleties of the <em>Urquiza<\/em> style. Inspired by styles of other art forms, he developed his own character for his dance.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8220;1\/2&#8243;][vc_single_image image=&#8220;26268&#8243; img_size=&#8220;full&#8220; alignment=&#8220;right&#8220; qode_css_animation=&#8220;&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220;][vc_column][vc_empty_space height=&#8220;2px&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1486732882774{background-color: #f2f2f2 !important;}&#8220;][vc_column][vc_column_text css=&#8220;.vc_custom_1584215962611{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;}&#8220;]<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">Some of his appearances and productions:<\/span><\/p>\n<ul style=\"font-size: 1.5em; line-height: 1.5em;\">\n<li><span style=\"color: #800000;\">Appearances at events of the VIA association (2018)<\/span><\/li>\n<li><span style=\"color: #800000;\">Appearances as part of the Embrace Berlin Tango Festival (2015-2018)<\/span><\/li>\n<li><span style=\"color: #800000;\">Pariet\u00e8 Gala Show with Giorgio Madia as Director (Pfefferberg Theater, Berlin, Sep. 2016)<\/span><\/li>\n<li><span style=\"color: #800000;\">From 2007 to 2016 regular appearances in the Berlin Philharmonic<\/span><\/li>\n<li><span style=\"color: #800000;\">Operita &#8222;Maria de Buenos Aires&#8220;, director and choreographer (Israel Tour, May 2013)<\/span><\/li>\n<li><span style=\"color: #800000;\">&#8222;Cafet\u00edn del Sur&#8220; (Ufa Fabrik, Berlin, 2010)<\/span><\/li>\n<li><span style=\"color: #800000;\">&#8222;Tango for Engler&#8220; (Kristiansand Symphonic Orchestra, 2009)<\/span><\/li>\n<li><span style=\"color: #800000;\">Operita &#8222;Mar\u00eda de Buenos Aires&#8220; (Norway Tour, March 2007)<\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #800000;\">As well as appearances in the most important tango clubs in Buenos Aires, such as: Sunderland, Canning, Sin Rumbo.<\/span><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1582044993522&#8220; el_id=&#8220;Presse&#8220;][vc_column][vc_empty_space height=&#8220;3em&#8220;][vc_column_text]<\/p>\n<h1 style=\"text-align: center; font-size: 25px; letter-spacing: 0.05em;\"><span style=\"color: #873003;\">Press<\/span><\/h1>\n<p>[\/vc_column_text][vc_empty_space height=&#8220;3em&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1486732882774{background-color: #f2f2f2 !important;}&#8220;][vc_column][vc_column_text css=&#8220;.vc_custom_1584215973637{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;}&#8220;]<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">Tango Fashion, February 13, 2020<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">CHICHE N\u00da\u00d1EZ AND THE IMPORTANCE OF STYLE <\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">&#8230;&#8220;It started like a typical Argentinian story: a young literature and literature and philosophy student takes his first steps down in the underbelly of Buenos Aires. His way out is plastered by many teachings, life changing experiences and encounters. And of course is blessed and coursed by the Tango spell.<\/span><br \/>\n<span style=\"color: #800000;\">His thirst for Tango knowledge was strong. In the first months he got closer to many well-known and emerging dancers and teachers, like Fabi\u00e1n Salas, Gustavo Naveira, Graciela Gonzales, Pupi Castello and later Ra\u00fal Bravo. He trained, danced and worked every day and night. There was no time for much else. His dancing grew in repertoire and his body got more comfortable in Tango. A typical story of the birth of a dancer.&#8220;&#8230;<\/span><\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">To the full article:<\/span><br \/>\n<a href=\"https:\/\/tangofashionnews.com.ar\/chiche-nunez\/\"><span style=\"color: #800000;\">https:\/\/tangofashionnews.com.ar\/chiche-nunez\/<\/span><\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220;][vc_column][vc_empty_space height=&#8220;2em&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1486732882774{background-color: #f2f2f2 !important;}&#8220;][vc_column][vc_column_text css=&#8220;.vc_custom_1584215984594{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;}&#8220;]<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">www.prontopro.de\/blog, February 04, 2020<br \/>\nAuthor: Verena Arnold<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">Tango &#8211; fire of passion<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">&#8230; &#8222;Dancing is much more than just movement. You can also consider it a sport, but behind the hundred different dance styles that exist worldwide, there is always a tradition and history of its own. Discovering these and immersing them in the ancient rhythms is the passion of many and has often shaped a life significantly.<\/span><span style=\"color: #800000;\">&#8222;&#8230;<\/span><\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">To the full article in German:<br \/>\nhttps:\/\/www.prontopro.de\/blog\/tango-feuer-der-leidenschaft\/<br \/>\n<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220;][vc_column][vc_empty_space height=&#8220;2em&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1486732882774{background-color: #f2f2f2 !important;}&#8220;][vc_column][vc_column_text css=&#8220;.vc_custom_1582112787230{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;}&#8220;]<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">BZ, September 10, 2016<\/span><br \/>\n<span style=\"color: #800000;\">Author: Markus Tschiedert<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">&#8222;Pariet\u00e9&#8220; gala at the Pfefferberg Theater<br \/>\n<strong>Tango in a wheelchair: that&#8217;s how inclusion works<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">&#8230; &#8222;Tango in a wheelchair? Can&#8217;t? Oh! The Argentinian dancer Chiche Nu\u00f1ez performed a unique dance with the wheelchair user Gabriele Helmdach for the piece&#8220; Oblivion &#8222;by Astor Piazzolla &#8211; as contemplative and graceful as if it were the most normal thing on the World that one dancer stands on his feet while the other is in a wheelchair. &#8222;&#8230;<\/span><\/p>\n<p style=\"font-size: 1.5em; line-height: 1.5em; text-align: left;\"><span style=\"color: #800000;\">To the full article in German:<\/span><br \/>\n<span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"http:\/\/www.bz-berlin.de\/berlin\/pankow\/tango-im-rollstuhl-so-geht-inklusion\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.bz-berlin.de\/berlin\/pankow\/tango-im-rollstuhl-so-geht-inklusion<\/a><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1484177762623&#8220;][vc_column][vc_empty_space height=&#8220;3em&#8220;][vc_column_text] Chiche N\u00fa\u00f1ez [\/vc_column_text][vc_empty_space height=&#8220;3em&#8220;][\/vc_column][\/vc_row][vc_row row_type=&#8220;row&#8220; use_row_as_full_screen_section=&#8220;no&#8220; type=&#8220;full_width&#8220; text_align=&#8220;left&#8220; css_animation=&#8220;&#8220; css=&#8220;.vc_custom_1484178551766{background-color: #f2f2f2 !important;}&#8220;][vc_column width=&#8220;1\/2&#8243;][vc_column_text css=&#8220;.vc_custom_1584215951406{padding-top: 40px !important;padding-right: 20px !important;padding-bottom: 40px !important;padding-left: 20px !important;}&#8220;] Artistic director &amp; CEO &nbsp; The Argentine dancer has lived in Berlin since 1998 and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-26256","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/pages\/26256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/comments?post=26256"}],"version-history":[{"count":5,"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/pages\/26256\/revisions"}],"predecessor-version":[{"id":26286,"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/pages\/26256\/revisions\/26286"}],"wp:attachment":[{"href":"https:\/\/urquiza.com\/index.php\/wp-json\/wp\/v2\/media?parent=26256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}